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The P-Funk mythology is a group of recurring fictional characters, themes and ideas related in a series of concept albums and live shows, primarily from George Clinton and his founded bands Parliament and Funkadelic. Funkadelic and Parliament are, in effect, the same band, with both bands at one time employing their musicians from the same pool, namely James Brown's backing bands (both the JBs, and the later Soul Gs). Musicians such as Bernie Worrell, Fred Wesley and Maceo Parker all at one time played with Parliament and/or Funkadelic. Due to contractual issues, where the names changed because of multiple switches in record labels, these two bands, along with George Clinton and the P-Funk All Stars and Bootsy's Rubber Band are nowadays collectively known as P-Funk. ==Parliament== On ''Mothership Connection'' (1975), the first track, "P Funk", concerns a DJ character, who inspired the ''Lollypop Man'' (alias the ''Long Haired Sucker''). According to Clinton (who shares credit for the song with Bernie Worrell and Bootsy Collins), he was frustrated that radio stations refused to play his songs and invented his own station (called ''W-E-F-U-N-K'') and a DJ to man it. On ''Mothership Connection'', ''Starchild'' first appeared (inspired equally by Sun Ra's "Black Noah" and Jesus); he is a divine alien being who came to earth from a spaceship (his arrival is "the Mothership Connection") to bring the holy ''Funk'' (with a capital "F": the cause of creation and source of energy and all life) to humanity. As it turns out (according to ''The Clones of Dr. Funkenstein'', 1976), Starchild secretly worked for ''Dr. Funkenstein'', the intergalactic master of outer space Funk, who is capable of fixing all of man’s ills, because the "bigger the headache, the bigger the pill" and he’s the "big pill" ("Dr. Funkenstein", from ''The Clones of Dr. Funkenstein''). Dr. Funkenstein’s predecessors had encoded the secrets of Funk in the Pyramids because humanity wasn’t ready for its existence until the modern era. The titular "clones" are the ''Children of Productions'' whose job is to ensure that everyone is on the One. Starchild’s nemesis is ''Sir Nose D’Voidoffunk'' ("Sir Nose Devoid of Funk" from ''Funkentelechy Vs. the Placebo Syndrome'', 1977). Inspired by the single "The Pinocchio Theory" by Bootsy's Rubber Band, Sir Nose attempts to end the Funk because he is too cool to dance. He is the master of the ''Placebo Syndrome'', which causes unFunkiness (a combination of stupidity and no dancing). His goal is to place the minds of all humanity into a state called the ''Zone of Zero Funkativity''. Starchild, on the other hand, uses his ''Bop Gun'' ("Bop Gun (Endangered Species)", from ''Funkentelechy Vs the Placebo Syndrome'') to achieve "Funkentelechy" for all humanity. With the Funky powers of the Bop Gun (which are augmented by the ''Flash Light....Shine the light on them suckas!!!''), Starchild causes Sir Nose to reach Funkentelechy, and find his Funky soul. He then dances away the night. Sir Nose’s return (along with ally ''Rumpofsteelskin'') is detailed on the ''Motor Booty Affair'' (1978). Here, Sir Nose is too cool to dance or swim, but ''Mr. Wiggles'' and the good citizens of ''Atlantis'' (a place where one can dance underwater without getting wet) cause Sir Nose to dance the ''Aqua Boogie''. At the end of ''Motor Booty Affair'', and after Sir Nose's defeat, the citizens of Atlantis raise their home out of the sea on the song "Deep" ("We need to raise Atlantis from the bottom of the sea, dancing 'til we bring it to the top ..."). On ''Gloryhallastoopid'' (1979), Clinton flips the script on "Theme From The Black Hole" (later sampled by Digital Underground for "Same Song") and allows Sir Nose to win one battle by turning Starchild into a mule. While gloating over his victory, Sir Nose alludes to multiple songs from ''Funkentelechy'' and ''Clones'', mockingly referencing the scat singing from "Sir Nose" ("humdrum, twiddly-dee-dum Starchild!"), and pointing out the fact that Starchild is temporarily without weapons or allies ("Where's your flashlight? Where's your bop gun? Where's the Doctor (), Starchild?"). Sir Nose’s machinations are undone three tracks later by the "Big Bang Theory", which reveals that the Funk caused the creation of the universe, though the only legible clue is the ethereal backing vocal line, "So we the clones were designed." Another Sir Nose appearance is on ''Trombipulation'' (1980), where he traces his ancestry back to the ''Cro-Nasal Sapiens,'' who were especially Funky, leading Sir Nose to reclaim his Funky heritage, along with his son, ''Sir Nose Jr.'' The last recorded Sir Nose guest spot is on the lengthy 1982 song Man's Best Friend/Loopzilla off of the P-Funk stable's last commercial hit, ''Computer Games.'' In this song Nose says, "This sounds familiar! Let me stick my nose in it and see what I smell this time! Ahahahaha." 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「P-Funk mythology」の詳細全文を読む スポンサード リンク
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